exhibit sample

The Filson’s exhibits share the stories of the Ohio River Valley using photographs, manuscripts, books and artifacts from the Filson’s extensive collections spanning more than 230 years. Digital exhibits can be accessed on our Omeka website or by clicking the title’s below. 


People, Passage, Place: Stories of the Ohio Valley  (Nash Gallery)

People Passage Place GraphicPeople, Passage, Place reimagines ways for visitors to engage with the Filson’s collections and invites them to think about how history shapes their lives and communities. The exhibit distills more than 250 years of history and the Filson’s millions of portraits, objects, manuscripts, and photographs into three thematic sections: Land, Water, Labor; People, Family, Community; and Culture, Creativity, Craft. Personal and family stories open conversations about important themes that have and will impact our region. The exhibit will be a long-term feature in the Nash Gallery, but has been designed to stay relevant by allowing staff to regularly rotate in new items and share interesting stories found in the depths of the Filson’s collections.

Olde England on the Ohio:  Louisville’s Tudor Revival   (Bingham Gallery, November 4, 2022 – March 3, 2023)

Louisville’s residents and visitors often note the city’s proliferation of Tudor Revival architecture. From homes to businesses, churches to charities, Louisville has retained an impressive Tudor Revival collection, including several neighborhoods where it is the dominant style.

The Filson Historical Society is excited to open Olde England on the Ohio: Louisville’s Tudor Revival on November 4, 2022. The exhibit uses Louisville as a microcosm of a larger national movement that peaked in the 1920s and early 1930s. Tudor Revival not only manifested through architecture, but also in consumer products and popular culture. This exhibit, guest curated by Daniel Gifford, Ph.D., shows the range of ways American looked to recreate a near-mythic “Merrie Olde England” in the early twentieth century.

Importantly, it was no accident that this turn towards an imaginary English past coincided with a wave of Eastern European immigrants, a massive African-American migration to northern cities, and the refinement of continued systems of racial, religious, and ethnic injustice. Many explicitly saw Tudor Revival as a way of claiming and elevating Anglo-Saxon heritage for a select few.

But in Louisville these attempts ultimately failed. Olde England on the Ohio demonstrates how diverse groups across the city used Tudor Revival to make their own assertions about belonging and participation in American culture. The objects, images, and artifacts we have gathered ultimately suggest that Tudor Revival succeeded as a movement built from the ground up, not the top down. We hope you will visit us to explore this eye-opening and entertaining exhibit.


(linked titles will take you to an online version exhibit)

Architecture drawings of Louisville Steam CoDowntown Louisville is the foundation and heart of the city, central to daily life for much of its history, but in recent years many of its historic buildings have been lost. The Filson will explore the rise, fall, and revitalization of the urban core in our exhibit Forgotten Foundations: Louisville’s Lost Architecture. Downtown became a hub for many businesses in a post-Civil War building boom. Grand buildings with intricate architectural details were a visual symbol of Louisville’s growing economic power. But as people and businesses relocated to the suburbs, downtown saw a major decline. Buildings once seen as architectural gems were now perceived as outdated. Urban renewal and the expansion of expressways meant that many buildings foundational to the city were demolished. This exhibit will remember what was lost through architectural and photographic records left behind. Louisville once again asks what will happen to downtown, as the pandemic emptied it of many of its workers. How can downtown remain a viable hub and historic buildings preserved to meet the needs of a changing city? Revitalization efforts have the potential to create a thriving downtown that is the heart of the city. View online here!

The Rogers Clark Ballard Thruston Mountain Photograph Collection, 1882-1905

Harlan County Court HouseThe Mountain Photograph Collection primarily comprises photographs taken in the mountains of Eastern Kentucky, Eastern Tennessee and Southwestern Virginia. In 1882 Thruston was hired as a geological assistant under Albert Crandall of the Kentucky Geological Survey. The Survey’s goal was to explore and record the natural resources in Appalachian counties. The photographs in this exhibit were produced during the mid-1880s when Thruston and Crandall worked for the Kentucky Geological Survey, and from the 1890s through the early 20th century when Thruston continued to work and document Appalachia during his time with the Kentucky Union Land Company. The counties featured in this exhibit include: Bath, Bell, Breathitt, Breckinridge, Carter, Elliott, Floyd, Harlan, Knox, Letcher, Pike, Whitley, and Wolfe in Kentucky, and Wise and Lee in Virginia.

A Child’s World

Girl on a Swing by Carrie Douglas Dudley Ewen

Are children of the early 21st century much different from those of centuries past? It seems children today have more freedom than ever to be themselves, while their predecessors had little say in how they were treated or allowed to spend their time. Yet, despite often being told they should be “seen and not heard,” children throughout history have found opportunities to play, create, and leave behind a legacy of their own. That legacy is preserved in the Filson’s collections. In this exhibit we have assembled manuscripts, books, photographs, portraits, and artifacts that shine a light on the lives of children from pioneer times to the present. These collections let us peek into “a child’s world” from years gone by, a world of imagination and wonder even in face of hardship and high expectations. What these children have left behind shows the truth of what Herbert Hoover said some 100 years ago: “Children are our most valuable resource.” Co-curated by Jim Holmberg, Cassie Bratcher, Maureen Lane, and Brooks Vessels.

The COVID-19 Poster Project

During the height of the COVID-19 Pandemic in the fall of 2020, the Filson Historical Society commissioned seven local artists to design original posters about the local impacts of the pandemic. Inspired by the Filson’s collection of World War I era public information posters and the Covid Poster project at the Wisconsin Historical Society, the project leveraged the power of words and images to document, interpret and find meaning in a challenging historical moment. Featuring posters by Arte Chambers, Amaiya Crawford, Tad DeSanto, Shae Goodlett, Mallory Lucas, Keith Ross, and Patricia Fulce Smith whose posters have been added to the Filson’s COVID-19 Community Archive. Carriage House.

Paul Gunter: Studio Portraiture to Art Photography

Paul GunterGünter’s work documents three major aspects of his career and life: Studio photography—works he created to make a living, Family photography—snap shots of intimate views of his family and friends, and Art photography—where he focused on capturing the natural world, architecture, and people, including several unique views of the African American community. Like other prominent Louisville photographers of the time, Paul Gunter’s work undoubtedly is represented in the personal collections of countless Louisville families and in the photograph collections of many historical institutions. What makes this collection so significant is that it is Gunter’s personal collection that more completely documents and preserves the legacy of his work. The photographs reveal more than Gunter’s skill as a commercial photographer. In them is seen his favorite subject material as well as his interest in and experimentation with evolving photographic techniques, such as lighting and focus. This exhibit provides insight into the life and legacy of Paul Gunter through the photographs he left behind, and was part of the 2021 Louisville Photobiennial.

Women at Work: Venturing Into the Public Sphere

Benedict's MenuIn the 19th century, societal changes transformed the lives of many American women. Freed from many domestic tasks by industrialization, women’s engagement extended from home and family into the larger community. They organized as workers and in clubs, pursuing new roles as artists, educators, social reformers, and business owners. They also became conscious of their shared identity as women, convening women’s rights conventions and organizing mass movements, including the decades-long struggle for suffrage. This exhibit explores the diversity of women’s experiences in the public sphere in the late 19th century.  Co-curated by Maureen Lane, Jana Meyer, Emily Benken, and Jennie Cole, with special assistance from Brooks Vessels.  To see a video of the virtual opening and views of the gallery, please click HERE!

Evolving Inspiration: The Art and Design of Julius Friedman

Artist and graphic designer Julius Friedman (1943–2017) was Louisville’s beloved and renowned image maker. Throughout his fifty-year career, he delighted viewers with a range of media that included photography, advertising posters, book arts, and sculpture. In 2018, a collection documenting the complete arc of Friedman’s creative output was donated to the Filson by his sister, Carol Abrams. From his early black and white urban photography to his “Rockopolis” nature sculptures, Evolving Inspiration leads visitors through the many creative phases of this Louisville legend. Curated by Jim Holmberg, Curator of Collections, and Abby Glogower, Curator of Jewish Collections.

Breaking the Mold: Sculptor Enid Yandell’s Early Life, 1869-1900

October 2019 marks the 150th birthday of Louisville-born and nationally-renowned sculptor Enid Yandell (1869-1934), known for the figure of Pan on Hogan’s Fountain and the Daniel Boone statue, both in Cherokee Park. In this celebratory exhibit, the Filson examines how Enid broke the mold that society and the art establishment imposed on women in the late 19th and early 20th centuries by pursuing a career as a sculptor. Featuring materials from the Filson’s collections, this exhibit explores Enid’s early life, her time at the Art Academy of Cincinnati, and her early career. Curated by Heather J. Potter, Filson Historical Society Curator of Photographs & Prints. This exhibit is a one of several that were presented during a community-wide celebration of Yandell’s life in 2019 by the Filson, the Speed Art Museum, the Louisville Free Public Library, Bellarmine University, the Frazier History Museum, 21c Museum, and Olmsted Parks – Enid Yandell: A Life of Art & Activism.

Louisville, City in Transition

Ivey W. Cousins captured streetscapes and buildings in downtown Louisville from Broadway north to the Ohio River and the residential district of Third and Fourth Streets in Old Louisville in 1959. During an era of transition with urban renewal in full swing, construction of expressways, and the expansion of the downtown medical complex—Cousins documented many of the buildings and streetscapes lost to history. Curated by Heather Potter, Curator of Photographs and Prints, with the assistance of volunteers Carole Crites and Bill Carner, and intern Cassidy Meurer.

Continuity of Care: Transforming Jewish Hospital for Modern Louisville, 1945-1980

Louisville’s Jewish Hospital opened in 1905 with a joint mission of patient care and education.  Half a century later, it moved into new state-of-the-art facility in the city’s rapidly developing downtown area. Featuring materials from the Filson Historical Society and the University of Louisville Archives and Special Collections, this exhibit explores Jewish Hospital’s growth from a charitable community institution into a multi-specialty medical center at the heart of modern Louisville. Co-curated by Dr. Abigail Glogower, Filson Historical Society Curator of Jewish Collections, and Dr. Lynn Pohl, Collections Assistant.

Shantyboat Life on the Ohio

Dr. Mark Wetherington, former Director of the Filson Historical Society, made an extensive study of Louisville’s vanished floating community during his tenure as the Filson’s Senior Research Fellow. This exhibit, co-curated by Wetherington and the Filson’s Curator of Collections, Jim Holmberg, pairs this research with resources from the Filson’s collections. Denigrated as “squatty little half-house, half-boat,” shantyboats provided dwelling places for as many as 50,000 people along American rivers during the Great Depression. From the 1850s until the 1950s, Louisville had a thriving shantyboat community by the outlet of Beargrass Creek along River Road near Butchertown, at an area called “The Point.” At the Filson, visitors learned about the “underground economy” that thrived on fishing, basket making and harvesting mussel shells for buttons.

Connecting the Dots: Exploring Your Family History

Heirlooms are an important part of a family’s story. What is saved and why? What clues do objects such as photos, scrapbooks, bibles, quilts and other keepsakes uncover about family histories? This exhibit will feature items that reveal stories about families that settled in the Ohio River Valley and will display examples of genealogy resources that can be found at the Filson Historical Society.

Made to Order: The Fashion of Geneva H. Bell

Jackets of sequins, suede, and tartan. Dresses featuring geometric prints and metallic threads. A hat in mauve. A muumuu in seafoam. Explore the wardrobe of educator and activist Geneva Howard Bell (1905-2013). The exhibition included custom-made textiles and hats from Bell’s collection, dating between 1970 and 1990. The exhibition also featured photographs of Geneva and her husband, Dr. Jesse Bell (1904-1998), the first African American physician at Louisville’s Jewish Hospital.

Through a Soldier’s Lens: Jack Speed’s WWI Photography

Louisville native John “Jack” Speed was an officer in the 150th Field Artillery during World War I. His unit served on the Western Front where they saw action at Champagne-Marne, Aisne-Marne, St. Mihiel, and Meuse-Argonne. Speed was not only a soldier, but also an amateur photographer – his numerous photographs the product of technological improvements that made cameras more portable and accessible to the general public than ever before. This exhibit features Speed’s images of war, exploring the experiences of one Kentuckian afield during global conflict.

The Evolution of Camp Zachary Taylor

In 1917, nearly three thousand acres of farmland and open fields were transformed into an active military camp with around two thousand buildings; four short years later the land, buildings, and equipment were auctioned off, and the Camp Taylor neighborhood was born. Images and documents from the Filson’s collection illustrate the history of Camp Zachary Taylor, Louisville’s World War I cantonment.

What’s Old is New at The Filson: Recent Acquisitions to the Collection

The Filson regularly receives historical material in all our collection areas: manuscript, book, photograph, print, and artifact. For the first time, a selection of recent acquisitions was the focus of an exhibit.

Called to Arms: Kentuckians in the First World War

This exhibit focuses on The Great War both abroad and at home. “Called to Arms” covers the evolution of World War I, both locally and globally, by telling stories of local mobilization, sharing perspectives from the trenches, showcasing advances in military technology of the times, and sharing stories from the home front.

Understanding the Indescribable: Paintings by G. Caliman Coxe

Abstract painter Gloucester Caliman “G.C.” Coxe (1907-1999) was a fixture of the Louisville art scene. He was the first African-American to receive a fine arts degree from the University of Louisville and a co-founder of the Louisville Art Workshop. Works by Coxe belonging to the Filson as well as those generously loaned for the exhibition by Ed Hamilton, Dr. Robert and Laura Douglas, and Warren and Julie Payne of Payne Fine Arts will exhibit aspects of Coxe’s process and practice. This exhibit is generously supported by Treyton Oak Towers and programming related to the exhibit is generously supported by Republic Bank.

Selling the War: Posters from WWI

This exhibit will take a more visual approach to the war, featuring original lithographic World War I propaganda posters commissioned by the United States Committee on Public Information’s Division of Pictorial Publicity. This exhibit was on display from Apr. 7-June 15, 2017. “Selling the War: Posters from WWI” was sponsored by YMCA of Greater Louisville.

To the Polls! Presidential Campaigns and Elections

A timely exhibit, To the Polls is a collection of election memorabilia dating back to our country’s founding. Newspaper clippings, photographs, posters, broadsides, buttons, and even a pair of bobbleheads, these artifacts give an overview of the ways in which courting voters has evolved. The exhibit is organized by periods of expanding suffrage, with each new demographic gaining the right to vote changing how politicians approached their campaigns. Visitors will not only see items from each of these periods, but will learn about both the admirable and less admirable aspects of the democratic process.

Moments in Time: The Power of Pictures

The Filson’s photograph collection is composed of more than 100,000 photographic prints, negatives, slides, daguerreotypes, ambrotypes, and tintypes and includes work by both professional and amateur photographers. This exhibit documents photography from the mid-19th century to today, with the bulk of images depicting life in the late 19th and early 20th centuries. It demonstrates the diversity of the Filson’s photograph and film collections in both format and content. From candid snapshots to carefully composed portraits, these images tell stories of life in Kentucky and the surrounding states. The images in the exhibit were selected with consideration of aesthetic value as well as subject matter, uniqueness of format, and ability to surprise.