A member of one of Louisville’s most prominent families,
Rogers Clark Ballard Thruston (1858-1946) was a geologist,
scientist, businessman and historian as well as a benefactor
and longtime president of The Filson Historical Society.
Thruston’s generosity, knowledge and guidance helped
make The Filson the outstanding historical repository
it is today. His personal collection of historical documents,
books and artifacts provide it with some of its most significant
holdings. It is through his photographic collection, however,
that Thruston’s personality and his interest in
family, history and traveling as well as his love of Louisville
and Kentucky are most vividly displayed. Thruston was
considered an "amateur photographer," but the
term overlooks his great talent and, while not his profession,
photography was certainly Thruston’s passion.
The Rogers Clark Ballard Thruston Collection, by far The
Filson’s largest collection of photographs, contains
some 20,000 items and
spans the period from 1880 to 1942.
Spending a great deal of his free time "kodaking,"
as he called it, Thruston used photography as a documentary
tool, and in doing so, created images of great historical
importance. His photographs are particularly useful to
researchers because he recorded the date, place and subject
on each of his negatives. Thruston was also interested
in the changing technology of photography. In 1892 he
purchased one of the first roll-film cameras imported
to the United States and used it on a trip to Yellowstone
Park. He also may have pioneered the use of magnesium
strips for artificial lighting in interior photographs.
This is shown to best effect in photographs taken in eastern
Kentucky in the late 19th century.
Rogers Clark Ballard Thruston loved Louisville and took
photographs of it throughout his life. Although a member
of one of Louisville’s wealthiest families, he took
photographs of people from all walks of life and was as
comfortable taking pictures of street urchins at play
as he was taking them of his family in some of the city’s
grandest homes. Most of Thruston's pho tographs of people
are candid rather than posed, and this imbues his work
with sense of vibrancy and life. Society weddings, American
Legion parades and election days are seen through Thruston's
eyes. His camera also allows us to see Corn Island, the
Falls of the Ohio, golfing at the Louisville Country Club,
children gathering around the Sons of the American Revolution
fountain at the Fort on Shore at 12th and Rowan Streets,
the devastation caused by floods in 1913 and 1937, and
how John and Ann Rogers Clark’s home, Mulberry Hill,
appeared.
Thruston traveled widely throughout Kentucky and always
packed his camera. He took pictures as diverse as the
Frontier Nursing Hospital in Les lie County, Glen Lily,
the home of Simon Bolivar Buckner in Hart County, Berea
College in Madison County, Shakertown in Mercer County
and Flat Rock Christian Church in Shelby County. Some
of his most interesting photographs were taken in the
eastern Kentucky mountains during the 1880s, when Thruston
worked with the Kentucky Geological Survey, and in the
1890s, when he was a representative of the Kentucky Union
Railroad Land Company. His photographs record the daily
lives of the people of the region. There are images of
landscapes, homes, stores, courthouses, women spinning,
miners working in coal and iron ore mines, funeral processions,
and saw and gristmills.
Thruston also traveled extensively throughout the United
States and abroad. These photographs show the same sense
of style, spontaneity and attention to detail that mark
his pictures of Kentucky.
Thruston’s photographs show what life was like in
the late 19th and early 20th centuries and are an invaluable
research tool for patrons of The Filson. His photographs
have been used in many books, magazines, documentaries
and exhibits because of the quality of the images and
the broad range of subject matter. Through the generous
gift of his photograph collection, Rogers Clark Ballard
Thruston showed his understanding of the importance of
history and the need to make it accessible to everyone.
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